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In Rome Conference "BRANDI TODAY" for the hundredth anniversary of the birth of Cesare Brandi

From 30 May to 1 June in Rome, the seat of Nazionale dei Lincei, will be held the international conference "Brandi today" as part of events organized to celebrate the centenary of the birth of Cesare Brandi.
Cesare Brandi (Siena April 8, 1906 - Vigna, January 19, 1988) was a historian and art critic, essayist and a specialist in the theory of Italian restoration. Through studies on the aesthetics and philosophy of art has developed a definition of "Restoration" based on the concept of a work of art, as a product of human spirituality, which is recognized by the individual conscience reality and phenomenological discipline to a statute providing thanks to the theoretical and scientific Experiments carried out under the Central Institute for Restoration (ICR) which he founded in 1938 together with Giulio Carlo Argan. Cesare Brandi
considered the act of recognition and the restoration of 'protection, remozione hazards, insurance conditions that are conducive "to the end of the transmission of historical and artistic treasures for future generations. The restoration, he said, as' an act in history should not be assumed to be reversible neither the time nor the abolition of history ", will be resolved with recognizable additions that should not foreclose any future action and above all should respect the work of material fact 'art exhibition vehicle as an aspect of the image and as a structure, the patina, "traces of time", and additions are settled on the work of the historical data whose removal would lead to the denial of a "transition center and the falsification of data."
the situation faced today by our cultural heritage, whose fate is in the hands of restorers improvised, the thought of Cesare Brandi seems more timely than ever, becoming a possible solution to the theoretical and conceptual vacuum that characterizes the practice of interventions aimed to eliminate all trace of the work in time through a total makeover as new. The plasters are considered "Layers of sacrifice" to be replaced periodically, the ghost reappeared restoration style that tends to bring the works to their "former glory" through philological analog processes that are detrimental to the authenticity of existing structures, the ruins, which saw Brandi simple matter, purely historical, mere waste of witnesses, whose formal qualities stem from their environmental value and picturesque, are the subject of the poor reconstruction projects prepared by institutional structures operated by the increasingly political and economic interests, see today's case of the Villa Casale di Piazza Armerina where Brandi has worked the same.
Today's reality is to far away from the thought that the professor before the restoration, "scientific and critical awareness of the moment in which the intervention occurs," alleged the "maintenance" of the cultural heritage methodologically similar to the restoration work itself, but with the purpose of prevention ".
We hope that the future holds greater interest and care for the work of our predecessors.

Conference program

further information on Cesare Brandi and themes of the conference in:
- http://www.nardinirestauro.it/dossier_brandi/brandi.htm
- http://www. cesarebrandi.org
- http://www.unipa.it/monumentodocumento/mostra
- Please read in particular Articles of Blackbeard Marcello and Massimo Carboni published in the newspaper "Il Manifesto" of 03.14.2006 is given below.

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In Rome the exhibition on the work of Franco Minissi


On the occasion of the 100th anniversary of the birth of Cesare Brandi May 31 and June 1 will be held in Rome at the monumental complex of San Michele a Ripa Grande, in the Hall of Tapestries The exhibition "Against the neglect of critical restoration. Report on the work of Franco Minissi in archaeological restoration in Sicily "by the Associazione Onlus MONUMENT-DOCUMENT.
Minissi Franco has been in the last century because of better and has produced new Italian culture in the preservation of historic and artistic managing to achieve, by complying with the contexts in which he worked with a great sense of modernity characterized by the use of new technologies and new materials, a unique blend of tradition and innovation, between past and future.
For the experimental nature of his interventions, which have not as a prerogative of the destruction of architectural values \u200b\u200boriginate in the ancient monument and at the same time not sacrifice the enjoyment of museological work, has set as a flag of the discipline of restoration understood as modernity and design.
The research carried out on the use of new materials has been sent to prevent any risk to the environment that could arise from the relationship between the seniority and the new presence even more out of the way through the design of harmonic forms are able to avoid the danger of false or camouflage style. Due to the transparency of its architecture has been enhanced role as a key element of the natural light of the use of the works and it was possible the recovery of the natural character of which is fundamental in archaeological contexts.
the eve of the destruction of the cover he designed for the Villa Romana del Casale di Piazza Armerina, the exhibition aims to tell the work of an architect able to take a step later in the story.

- Profile Biography (edited by Alessandra Alagna)
Minissi Franco (Viterbo 1919 - Bracciano 1996), graduated in architecture in 1941, professor of "Restoration of Monuments" in the Faculty of Architecture of Rome and "Museografia" the School of Specialization in Art History from the Faculty of Arts of Rome. E 'was among the first architects to address the problems of the new concept of the museum in Italy for offering innovative solutions and modern museological many settings (Etruscan Museum of Villa Jury in Rome, Cerveteri Etruscan Museum, Viterbo, Tarquinia, Museo Gela). He has conducted since 50s, in collaboration with the Central Institute for Restoration, testing of materials and modern techniques applied to some admittedly distinguishable particular problems of restoration and protection of archaeological sites (Timoleontee walls of Capo Soprano, Gela, Villa Romana del Casale Piazza Armerina, greek theater of Eraclea Minoa, the Norman church of San Nicolò Regale in Mazara del Vallo and adaptation of ancient historical monumental complex compatible with new features such as the church of SS. Salvatore in Palermo for the processing of which won at Auditorium In the premium / Arch in 1969.
Minissi In Sicily he made in collaboration with the various archeologists and curators of the time (Griffo, De Miro, Adamasteanu, Orlandini, Florence, Tusa, Voza, Bernabo Brea, Bonacasa, etc.), the Archaeological Museum of Agrigento, Siracusa, Caltanissetta, Himera and numerous antiques at the archeological sites of its operations on the subject of "musealization spot." As "UNESCO expert for the restoration and museology," he participated in the development of museological programs of the state of Israel, Malta and Ghana and the preparation of a report on the status of monuments and sites of Cyprus, and has also restored Mayan temple de "los muros Pintados" in Mexico. He participated actively in the debate in national and international issues concerning the restoration and museology applied to archaeological sites, monuments and ancient contexts: on these topics published study in the journal "Museum" and "Monumentum" UNESCO, on "Museums and galleries in Italy and other scientific collections.

* for further information visit http://www.unipa.it/monumentodocumento/mostra/

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Earth & Sky


"The earth is the carrier agent that blooms and bears fruit, it propagates in the rock and in 'water, stands in the plant and animal ... The sky is the parable of the sun, which changes the course of the moon, the sparkle of the stars, the seasons of the year, on and dusk of the day, the darkness and the splendor of the night, and for the inclement weather, the clouds pushed by the wind and the deep blue of the ether ... "
(Martin Heidegger, Essays and Speeches, 1954)